11.06.16 London-Bilbao-Aranda: The Matrix, and other kind of shit

Hey, too long since I just wrote a dream! Next step from fucked up is finally here. As usual, can't remember all the parts as a whole, but anyway. Let's start with the early parts...
We were in Bilbao, but it obviously didn't look like it. We were in a room, programming stuff with very strange computers. I was with some university classmates & friends. When we went out I realised that the so-called room seemed to be in a castle...
One of those classmates was also my friend, Bolche (he's called Jon, but anyway). I was really affectionate with him, hugging all the time and so on (sorry if I disturbed too much in the dream, man xD) and grandma came and shouted at me: "STOP BEING LIKE THAT WITH THIS GUY!", but I didn't really changed my attitude. So, as I said, we went out, and walked by the river, across a bridge. The area seemed like my favourite beach where I live. And suddenly, a woman came and asked for directions to go to a place in Bilbao that I've never been in. She showed a map with all the parts of the city represented as connected clouds, as though it were some kind of networking scheme. I immediately answered: "Sorry, I don't know the place you're asking about and this map doesn't help whatsoever, can't see anything with this representation". I remember having the thought that I wanted to tell my boyfriend this anecdote.
In another part, I was at a tattoo studio, that seemed more like a normal flat (I know I'm missing details, but it doesn't really matter). I asked her to draw a design of mine on my skin, and showed her the paper where the tattoo was drawn. She said she couldn't draw that, and needed a better version of the design so I showed my agenda and then she accepted to do it (I can't see why the second one was better, can you see the difference??).

Original design

The drawing on the agenda

Then, the hard and also the main part comes. The Matrix, the interdimensional space. We seemed to be in an interdimesional space located in London, by the river Thames. We seemed to be there under the control of someone called Jorge, and I had the sensation that it wasn't the first time. Maybe solving a mission or don't know what. The big space was kind of a medieval city with three main squares: one with the façade of a classical cathedral, the other one with the façade of a neoclassical cathedral (one of them seemed more like baroque, but one mixes the concepts) and the last one had the façade of the Sagrada Familia in Barcelona, it was the modern space, and seem to contain a concert hall/theater that was marked with a sign that said something like "..., of the sun", who knows what.
In the first scene there, I knew I had walked through the two first spaces, but never the third, and I had walked down the bridge by the Thames to cross to the other part and see some places in London. But I had never been to the third space, so I was so stunned by it. I was with my grandparents, and they wanted to go out of the medieval city. They wanted to go through that last square and I wanted to convince them not to do so. I only knew the other two parts and the front entrance, and knew for sure that we weren't going to find the river so as to have a reference. For some reason, I was convinced it wasn't all symmetric and square and the way one should expect it. It's what happens when you're in a parallel dimensional space.
Finally, grandma insisted to go out through the back entrance and, as I had foreseen, we got lost. We walked following the walls of the city and suddenly found an auto retailer and a garage that didn't have a way out. We went through doors and elevators and finally found a yard full of sand. NEXT SCENE.
On the other hand, the flat or place we lived in inside of the city, was once again that flat my grandma had in Aranda. Or at least looked like it. We had a computer to do stuff, but it also seemed the point of control Jorge had on us. And seemingly we solved something we were needed for. Suddenly, a pretty, young girl dressed in a white gown appeared and said: "Thank you so much, I can finally go back home". I don't know what happened; maybe the little boy her family had recovered and she was the spirit and could came back, or maybe someone that was impersonating her disappeared and she could take her place again... The thing is that she walked through the cabinet for the electric meters and I knew our time was over somehow.
I went to my computer and saw it print snippets of senseless, crazy useless code on the screen and thought: "Fuck, we are running out of time. The other time we were warned that our time in the space was over and had time to collect all our stuff!!!". So I hurried to collect all my stuff, cause the condition was that we could get out of the space, but our things and personal objects couldn't, and I was about to lose too many things. Then it all began to be absorbed by some kind of black holes and spirals. Even in my bag there was one, but I could retrieve all my things from there. And also the lamp in one of the rooms began to compress, and I pulled it down to give it its form again, fitting the different parts in their correct places again. I retrieved all the material but deformed it though. Nevertheless, it recovered its form on its own in a short time. 
The final scene is mom, grandma and I wondering what had really happened. We wondered what would happen if we woke up, if that so-called Jorge would force us to forget all that we had lived in that space, and all the things we had, if we were under control or what.
Seemingly, we didn't wake up, but the sensation that something could be going on was there all the time...

Goodbye, Laila

Today, when the sun dies behind the mountains and the seas, everything will be over. What will happen tomorrow is uncertain, Laila, but we won't be here to see it. Our sons, and daughters, who are already swimming in a sea of letters, won't be saved either, but they might not sleep forever. My own tormentor spells my words, for I no longer know how to write them by hand. And, however, I can still remember your italic handwriting, baroque, full of curlicues, smiles and blinks in each corner. Back then sentences meant much more than interlaced words. How much I'd give to read it one more time on that thing we used to call paper. One last time, while twilight goes on, tinged not with blood or death, but void. Yes, a terrifying void fed by the dehumanization of people who, like me, passionately contributed to a ravenous development without knowing what was the price to pay. Not only have I invested my time and my life, but paid for technological advance with the whole humanity. I swear that, had I known that a computer could create a society full of individuals that can't recognize the value of a kiss or that shiver when you're looked at in a special way, had I known, I would have never set foot in that campus of happiness, as they call it; of slavery, I'd say now. Not even our knowledge was ours. It was property of the companies, but we were too entertained playing around with those computers and programs, playing as though we were supreme beings, to even realise. I beg you to forgive me, Laila.
You and I can remember many blackouts. Analog, digital, electrical ones due to the storms. Do you remember how beautiful it was to see each other's face in the candlelight? I only do so vaguely, but something tells me they were precious moments the future will never remember. Nor I think it cares about it. It's too entertained debugging the net of nets. Tonight's blackout is the last one. Tonight's blackout is different: it's human. The last robot I projected is aiming its lasers at me. You no longer belong here, it tells me. It's not my imagination, I taught it how to speak. You don't know how I'd change my drowning in this vital anguish because of what I've done for my drowning in the icecubes in the bottom of a cup of cheap whisky. The sun hides amongst magnetic tracks and flying cars made by people that can't even understand the magic of feeling you're not touching the ground. A super computer is our new God. And I realised too late. My time is over and I must go.
Goodbye for the last time, Laila, tonight I'll die serving a God I created myself...